Antelope Audio Goliath HD Thunderbolt / USB 3.0 / HDX / MADI Audio Interface
Purchase a classic Antelope Audio interface at an exceptional price. Buy directly from the Antelope Audio factory. A manufacturer refurbished Goliath HD in premium condition including: 6 months of warranty No signs of use Original packaging and accessories Brand new performance Free worldwide delivery Now with a complete FX library for producing and mixing. GOLIATH HD HDX, Thunderbolt2 ™, USB 3.0 & MADI Audio Interface EXPLORE THE FULL LINE OF FPGA REAL-TIME VINTAGE AFX Needless to say Goliath HD is armed with the full Antelope Audio arsenal of hardware-based FPGA FX. These inclued the most authentic and realistic zero latency Vintage EQs, Compressors and guitar amp & cabinet models on the market. Use them for real time tracking or mixing and easily save presets with your favorite setups. Those can be easily recalled or shared with other studio facilities, which are also part of the global Antelope Audio family. Goliath HD comes with a 50+ and expanding list of Antelope Vintage FX models: EQUALIZER LEGENDS: VEQ-STU 089, VEQ-STU 169, VEQ-STU 900, VEQ HA32C, BAE 1023, BAE 1084, NEU-W492, NEU-W495, VEQ-4K Black, VEQ-4k Brown, VEQ-4K Pink, VEQ-4K Orange, BAE-1073, VEQ-HLF, VEQ – 1A, VMEQ-5, LANG PEQ2, VEQ-55A, UK-69, NEU-PEV, INTEGRATED EQ VINTAGE COMPRESSORS: X160, Tube176, X903, Gyratec X, Grove Hill Liverpool, ANTELOPE FEEDFORWARD COMPRESSOR, FET-A76 AURAVERB™:New Reverb Leveraging Unique Algorithms and Proprietary FPGA Chip for “Smooth and Clear” Sound THE GUITAR CLASSICS: Cabinets: Darkface 65 2x12, Top30 2x12, Green 2x12, Vintage 4x12, Green 4x12, Caliper50 1x10, Clst 1x12, England4x12, Modern 4x12, Bluelux 1x12. Guitar Amps: Darkface 65 US, Top32 UK, Modern US, Plexi 59 UK, Rock 22.10 UK, Rock 75 UK, Marcus II US, Tweed, Deluxe US, Overange 120 UK, BurnSphere DE. Mics: California121 Ribbon, Austria Gold 414, American57, German FET87. Product Features: Integrated Real-Time Effects: EQs, Compressors, Reverb, Guitar Amps & Cabinets Proprietary FPGA with massive modeling capabilities HDX, USB 3.0, Thunderbolt Gen2 & MADI connectivity Antelope Audio renowned clocking and enhanced conversion Proprietary HDX Delay Compensation 16 Accusonic mic preamps with phantom power, dedicated knobs & level meters 16 Line Inputs on two D-SUB 25 32 Line Outputs on four D-SUB 25 Two premium Re-amp outputs Mastering grade monitor outputs with 132 dB dynamic range Two independently assignable headphone outputs AES, MADI, ADAT and S/PDIF connectivity Talkback functionality Redesigned front panel with enhanced monitor & level indicators Multifunctional touch screen display ALL YOUR HD SETUPS BELONG TO GOLIATH 64 channels of audio now via HDX & USB 3.0 Goliath HD is a 64-Channel interface that can be used with Pro Tools HD or Native DAWs via second generation ThunderboltTM, USB 3.0 or via 2 MADI connections, which are compatible with MADI to Dante Bridge products. Coming with extensive I/O options, featuring 16 Accusonic mic preamps with individual volume controls, 32 analog ins with 124dB of Dynamic Range, 32 analog outs with 129dB of Dynamic Range, plus mastering grade monitor outputs, featuring new technology that boosts dynamic range to a spectacular 132dB. Goliath HD comes with 8 instrument inputs, 2 transformer re-amp outs, integrated Talkback mic, 2 headphone outs and a pair of analog inserts. And if this wasn’t enough, the descendant of the mighty Goliath offers also AES, MADI, ADAT and S/PDIF connectivity. LEAVE LATENCY BEHIND Revolutionize your Pro Tools HD workflow With Antelope’s proprietary HDX Delay Compensation, any analog or digital input can arrive in Pro Tools HD sample accurately in the timeline. No other interface on the market offer this level of perfect integration for digital sources to Pro Tools HD software. The Antelope Audio Real-time FX, zero latency independent software mixers and routing matrix with two alternative views are the perfect compliment to Pro Tools HD studios, which have come to expect maximum power at their disposal. Goliath HD, however, is compatible with any DAW on the market making the device the heart and soul of the highest tier audio facilities around the world. Our newly introduced full Session Presets are the perfect match for the complex and large-scale setups and projects Goliath HD was designed to handle. HD STUDIO CENTERPIECE Work on complex projects and multiple DAWs with Goliath HD By offering both HD and USB3 modes, engineers can now accommodate producers and their laptop projects and integrate them into their existing HD setups by easily switching between HD and our low latency ThunderboltTM and new USB3 modes. Goliath HD guarantees quiet operation even in the most demanding control rooms. Don’t be surprised if soon expensive machine rooms become a thing of the past. CLOCK IT LIKE IT’S HOT The key to top sound is the Antelope Audio clocking Another reason why Goliath HD sounds like no other interface on the market is because of the world-renowned Antelope Audio Acoustically Focused Clocking (AFC) jitter management technologies it features. With over 20 years of history in digital clocking behind us, we backed the Goliath HD up with all OCX HD and Trinity sounding audio clocking. This unbeatable sonic detail and precision, combined with analog authenticity will bring your sound to the realms of hi-end audio. Now you can also spread this perfection across your whole studio as BNC connectors are available for use as Loop Sync, standard Word Clock I/O and the Antelope Audio 10M atomic input. ALL THE CONTROL YOU NEED Goliath HD comes with a revised Touchscreen display and enhanced front panel Goliath HD features a redesigned front panel. With enhanced monitor and level indicators, the responsive Touchscreen offers multichannel metering, easy access to preferences, presets, and clocking modes for HD or Native interfacing. And if this wasn’t enough, the Goliath HD dedicated Android & iOS compatible mobile app will allow you to turn your smartphone or tablet into a powerful audio interface remote control. SPECIFICATIONS ANALOG Analog Inputs • 2 × DB25 (16 channels total) • 16 × Mic / Line on XLR combos • 4 × Hi-Z 1/4″” TRS Analog Inserts 2 × Inserts on 1/4″ TRS (dedicated for inputs 1, 2) Analog Outputs • 4 × DB25 (32 channels total) • 1 × Stereo pair of Monitor outs on 1/4″” TRS • 2 × Stereo Headphone outs on 1/4″” TRS • 2 × ReAmp outs on 1/4” TRS D/A Monitor Converter Dynamic Range: 132dB THD + N: -108dB A/D Converter Dynamic Range: 124 dB THD + N: -112 dB D/A Converters Dynamic Range: 129 dB THD + N: -120 dB Mic Preamp Gain: 0,10 – 65 dB THD + N: -112 dB DIGITAL Digital Inputs • 2 × ADAT (up to 16 channels) • 1 × S/PDIF • 1 × AES/EBU (8 channels) • 2 × MADI Digital Outputs • 2 × ADAT (up to 16 channels) • 1 × S/PDIF • 1 × AES/EBU • 2 x MADI USB I/O USB 3.0 Super-Speed, Type B connector Thunderbolt™ I/O 1 x Thunderbolt™ Gen2 HDX 2 x mini HDX connectors for direct Pro Tools connection, 32 Channels I/O each (total of 64 channels) CLOCKING Word Clock Input 1 x Input @ 75 Ohms 3Vpp on BNC Atomic Clock Input 1 x 10M Input @ 75 Ohms 1Vpp on BNC Word Clock Outputs 2 x Outputs @ 75 Ohms 3Vpp on BNC Clocking System • 4th Generation Acoustically Focused Clocking • 64-bit DDS • Oven Controlled Crystal Oscillator Clock Stability <+/-0.02 ppm, oven controlled at 64.5ºC/ 148.1ºF Clock Aging < 1 ppm per year Clock Calibration < +/-0.001 ppm Sample Rates (kHz) 32, 44.1, 48, 88.2, 96, 176.4, 192 OTHER Operating Temperature 0-50°C, 32-122°F Weight 6.8 kg/ 15 lbs (approx ) Dimensions (approx) • Width: 483 mm / 19” • Height: 81 mm / 3.2” • Depth: 279 mm / 11” Electrical specs AC Universal input: ~95-245 V Power Consumption: 50 Watts Max In the box • Goliath – ThunderboltTM and USB AD/DA Interface • Owner’s Manual • Warranty Card • 1 AEC Power cable • 1 USB cableRead more..
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